Lionel Tertis.html



Lionel Tertis (29 December 1876 – 22 February 1975) was an English violist and one of the first viola players to find international fame.

Tertis was born in West Hartlepool, the son of Polish-Jewish immigrants,¹ and initially studied the violin in Leipzig and at the Royal Academy of Music in London. There he was encouraged by Alexander Mackenzie, the Principal, to take up the viola instead. Under the additional influence of Oskar Nedbal, he did so and rapidly became one of the best known violists of his time, touring Europe and the USA as a soloist. Composers such as Arnold Bax, Frank Bridge, Gustav Holst and William Walton wrote pieces specially for him. The Walton piece was his Viola Concerto, however, Tertis never performed it because he couldn't understand it at that time. ²

In 1906, Tertis was temporarily in the famous Bohemian Quartet to replace the violist/composer Oskar Nedbal.

He also owned a 1717 Montagnana from 1920 to 1937³ which he found during one of his concert tours to Paris in 1920, and took a chance in acquiring. According to his memoirs, it was "shown to me in an unplayable condition, without bridge, strings or fingerboard.... No case was available -- it was such a large instrument 17? inches -- so my wife came to the rescue by wrapping it in her waterproof coat, and that is how it was taken across the English Channel." Tertis preferred a large viola in order to get an especially rich tone from his instrument. Knowing that some would find a 17-1/8 inch instrument too large he created his own Tertis model, which provides many of the tonal advantages of the larger instrument in a manageable 16-3/4 inch size.

Along with William Murdoch (piano), Albert Sammons, and Lauri Kennedy, Tertis formed the Chamber Music Players.⁴

Tertis composed several original works and also arranged many pieces not originally for the viola for his instrument, such as Edward Elgar's Cello Concerto. He was the author of a number of publications about string playing, the viola in particular, and his own life. They include Cinderella No More and My Viola and I.

Lionel Tertis died in Wimbledon, London.

In February 2007 (with his accompanist, the pianist Michiko Otaki), the British violist Roger Chase initiated "The Tertis Project," which is a series of concerts devoted to 20th century works by British composers composed for Tertis.[1] Chase performs on the same Montagnana instrument that belonged to Tertis.

Works

Original compositions

• Elizabethan Melody for Viola and Cello
• 15th Century Folk Song: 1452-Anonymous for Viola, Cello and Piano
• Hier au soir for Viola and Piano
• Rêverie for Viola and Piano
• Sunset (Coucher du soleil) for Viola (or Violin or Cello) and Piano
• Three Sketches for Viola and Piano

No.1 Serenade

No.2 The Blackbirds

No.3 The River

• A Tune for Viola and Piano
• Variations on a Passacaglia of Handel for 2 Violas; original work based on the Passacaglia by Johan Halvorsen
• Variations on a Four Bar Theme of Handel for Viola and Cello

Arrangements and transcriptions

For viola and piano unless otherwise noted

References

1. ^ Concise Dictionary of National Biography
2. ^ Nigel Kennedy
3. ^ "ID: 3487, Type: viola", Cozio, http://www.cozio.com/Instrument.aspx?id=3487, retrieved on 22 August 2006. 
4. ^ "Murdoch, William David (1888 - 1942)", adbonline, http://www.adb.online.anu.edu.au/biogs/A100616b.htm, retrieved on 24 January 2007. 

Other reading

• John White, Lionel Tertis: The First Great Virtuoso of the Viola (Woodbridge: Boydell Press, 2006)
• Tully Potter, "Chase Fulfilled", The Strad, August 1988.